1 00:00:00,360 --> 00:00:03,570 Sean Murray: Hey, we got, we got Kosha Dillz and I was just 2 00:00:03,570 --> 00:00:05,160 talking I was just talking about you. 3 00:00:05,190 --> 00:00:05,580 Kosha Dillz: Awesome. 4 00:00:05,580 --> 00:00:07,680 Sean Murray: Saying that you just did a present you know, why 5 00:00:07,680 --> 00:00:10,560 why, I don't know why I'm saying presentation. He did a rap. A 6 00:00:10,560 --> 00:00:14,820 very cool freestyle rap. Mm hmm. It was awesome. And did you come 7 00:00:14,820 --> 00:00:17,970 up with that? Like on the fly? Or did you like, did you work on 8 00:00:17,970 --> 00:00:18,600 that at home? 9 00:00:18,810 --> 00:00:21,810 Kosha Dillz: On the fly but like, I've flown a lot, you 10 00:00:21,810 --> 00:00:23,670 know, so I know some of the moves up there when you're 11 00:00:23,670 --> 00:00:25,410 flying. Okay. Does that make sense? 12 00:00:25,470 --> 00:00:25,890 Sean Murray: It does. 13 00:00:27,030 --> 00:00:30,600 Kosha Dillz: So, yeah, I think I definitely have one line. I'm 14 00:00:30,600 --> 00:00:33,810 like, throw your hands in the air, especially if you're 15 00:00:33,810 --> 00:00:35,670 sitting in a chair cause everyone's sitting you know what 16 00:00:35,670 --> 00:00:36,660 I mean, so it's kinda like, 17 00:00:36,690 --> 00:00:37,920 Sean Murray: Yeah and you got to get the energy 18 00:00:37,980 --> 00:00:38,850 Kosha Dillz: Got to get them up 19 00:00:38,850 --> 00:00:40,440 Sean Murray: It's the middle of the afternoon, like you said, 20 00:00:40,440 --> 00:00:42,060 Kosha Dillz: And when I was like rapping on those chairs, I 21 00:00:42,060 --> 00:00:44,160 started walking around. I thought, man, these are some 22 00:00:44,160 --> 00:00:46,770 sturdy chairs. You know, I've rapped on some very unsturdy 23 00:00:46,770 --> 00:00:47,310 chairs. So. 24 00:00:47,370 --> 00:00:48,570 Sean Murray: That could go either way, that could end 25 00:00:48,780 --> 00:00:49,020 horribly. 26 00:00:49,020 --> 00:00:50,160 Kosha Dillz: Yeah, could have been amazing. Wouldn't it be 27 00:00:50,160 --> 00:00:56,610 amazing? Like a guy? You know, just wiped it? Man, but um, so 28 00:00:56,610 --> 00:00:57,360 how's it going? 29 00:00:57,570 --> 00:00:59,580 Sean Murray: It's going well, you know, you got a you got a 30 00:00:59,610 --> 00:01:02,940 like a hot new single. It's like trending everywhere. Right now. 31 00:01:02,970 --> 00:01:03,630 Kosha Dillz: It is. 32 00:01:03,750 --> 00:01:05,790 Sean Murray: So tell me about that video and that song. 33 00:01:05,790 --> 00:01:08,640 Kosha Dillz: Um, so we've been working on this Adam Sandler 34 00:01:08,640 --> 00:01:13,350 remix song. And with my buddy in this scene, black he's a black 35 00:01:13,350 --> 00:01:19,860 Orthodox Jewish rapper from Jerusalem. Yeah. And he we have 36 00:01:19,860 --> 00:01:23,070 a tour it starts tonight at SOB it's in New York City a very 37 00:01:23,070 --> 00:01:28,920 famous venue. We're going all around America. He was like, Yo, 38 00:01:28,920 --> 00:01:32,160 we need to do this. I sent him the first verse He sent the next 39 00:01:32,160 --> 00:01:37,230 one back, did the hook was like make the hook better. And now 40 00:01:37,230 --> 00:01:41,160 that the hook is there, and we shot the video on Thanksgiving. 41 00:01:41,190 --> 00:01:45,120 Yeah. By Sunday, we had the video uploaded turned around, 42 00:01:45,150 --> 00:01:49,380 and the rest of the world was like, Whoa. Yeah. We got on Z 43 00:01:49,380 --> 00:01:52,740 100. Yeah. Went from rapping outside MSG to having songs on Z 44 00:01:52,740 --> 00:01:55,140 100 was kind of a level up. 45 00:01:55,170 --> 00:01:56,880 Sean Murray: Yeah. So now I understand cause you explained 46 00:01:56,880 --> 00:02:00,210 it, you know, you said, we outside till we inside 47 00:02:00,210 --> 00:02:01,500 Kosha Dillz: We're outside till we're inside. 48 00:02:01,530 --> 00:02:02,970 Sean Murray: I know that was your line. But like, once you 49 00:02:02,970 --> 00:02:05,940 explained it now I totally get it. Because you're literally in 50 00:02:05,940 --> 00:02:09,330 here. We're literally here on, you know, a live stream for 51 00:02:09,360 --> 00:02:14,520 deBanked at Broker Fair. Kosha Dillz actually just did a, a 52 00:02:14,520 --> 00:02:17,340 freestyle rap at our show. And. 53 00:02:18,150 --> 00:02:20,430 Kosha Dillz: Well, and how I got here was that I did it at the 54 00:02:20,460 --> 00:02:21,480 NFT NYC. 55 00:02:21,510 --> 00:02:21,930 Sean Murray: Yeah. 56 00:02:21,990 --> 00:02:23,940 Kosha Dillz: And one of your journalists came and interviewed 57 00:02:23,940 --> 00:02:26,850 me. And then the article did so well. We talked about turning 58 00:02:26,850 --> 00:02:30,570 the moment into an NFT, about viral moments becoming NFTs 59 00:02:30,570 --> 00:02:33,480 about my moments becoming that. And there's so many moments that 60 00:02:33,480 --> 00:02:35,460 didn't make it right. There are so many moments that you didn't 61 00:02:35,460 --> 00:02:38,040 know about that I wanted people to know. And sort of that when 62 00:02:38,040 --> 00:02:40,980 you gain in a buzz around yourself, that you could get the 63 00:02:40,980 --> 00:02:44,130 opportunity to tell your story. Someone said, once told me, 64 00:02:44,130 --> 00:02:45,930 there's a million dollars out there for everyone, but it's 65 00:02:45,930 --> 00:02:48,900 your job to go find it. And there's like people that tell 66 00:02:48,900 --> 00:02:51,900 stories, and they their platforms are so big, but it's 67 00:02:51,900 --> 00:02:55,350 your job to tell your story. It's not you know what I mean. 68 00:02:55,380 --> 00:02:56,160 Sean Murray: Yeah I'm with you. 69 00:02:56,160 --> 00:02:58,350 Kosha Dillz: Like I'm saying as much have to tell my story. It's 70 00:02:58,350 --> 00:03:01,410 not your job, right. So I have to do whatever I can to gain 71 00:03:01,410 --> 00:03:05,520 that attention. So I get the best representation of me. And 72 00:03:05,550 --> 00:03:09,150 now I'm here like I was outside. I snuck into this conference. 73 00:03:09,150 --> 00:03:14,130 There's too many stop. Yeah. I got interviewed in your in your 74 00:03:14,130 --> 00:03:16,680 magazine. And now I got invited here. And here we are in the red 75 00:03:16,680 --> 00:03:23,070 carpet. So it's the same and that could work for a shop. 76 00:03:23,070 --> 00:03:27,750 Right? Yeah. Madison Square Garden. You know, radio station, 77 00:03:28,050 --> 00:03:31,680 baseball player, as you know, walking on to the team to you 78 00:03:31,680 --> 00:03:33,870 know, and there's drafting people, but you know, you could 79 00:03:33,870 --> 00:03:37,050 walk if you're good enough. Walk on. Yeah. And that's just it's 80 00:03:37,050 --> 00:03:38,910 just like a theme for life you know. 81 00:03:39,060 --> 00:03:41,280 Sean Murray: So do you have like a crypto wallet? Because let's 82 00:03:41,280 --> 00:03:44,700 say we do take and the performance you gave out there. 83 00:03:44,700 --> 00:03:48,030 We turn it into an NFT. Let's say we put it into an NFT. Is 84 00:03:48,030 --> 00:03:50,400 there a way to send you the NFT? Do you have that capability? 85 00:03:50,400 --> 00:03:52,380 Kosha Dillz: Yeah, yeah I have a wallet? Yeah. I don't have 86 00:03:52,620 --> 00:03:54,810 Metmask I have Quartus a different different kind of 87 00:03:54,810 --> 00:03:58,590 wallet. But I mean, it's easy to get a Metamask wallet. Remember 88 00:03:58,590 --> 00:04:00,690 your 12 words, you know, you have to get it? So you don't 89 00:04:00,690 --> 00:04:01,110 forget it forever. 90 00:04:01,110 --> 00:04:03,120 Sean Murray: Can't share. You can't share them with anybody. 91 00:04:03,270 --> 00:04:03,570 Right. 92 00:04:03,720 --> 00:04:06,480 Kosha Dillz: But I mean, I want that to become I think it's a 93 00:04:06,480 --> 00:04:09,240 prime example. And I think the way you guys did it, I was 94 00:04:09,240 --> 00:04:14,010 seeing everything up there was just awesome. I just felt very, 95 00:04:14,310 --> 00:04:17,070 what an honor, you know, to be presenting in front of very 96 00:04:17,070 --> 00:04:20,340 successful people that consider myself successful. 97 00:04:20,370 --> 00:04:23,790 Sean Murray: Yeah. I mean, hey, you know, we wanted you to be 98 00:04:23,790 --> 00:04:26,700 here. We reached out to you. So I think you're pretty successful 99 00:04:26,700 --> 00:04:30,060 right now. You know, I really, really appreciate you being part 100 00:04:30,060 --> 00:04:32,100 of this. And you mentioned earlier that you have like a 101 00:04:32,100 --> 00:04:34,770 show that you're performing at later tonight. Is that right? 102 00:04:35,100 --> 00:04:37,440 Kosha Dillz: You got the guy on the scene black and myself. We 103 00:04:37,440 --> 00:04:38,130 have a show. 104 00:04:38,190 --> 00:04:40,020 Sean Murray: Were you guys friends from like before, like? 105 00:04:40,020 --> 00:04:42,840 Kosha Dillz: I knew him for many years. Yeah, but we never really 106 00:04:42,840 --> 00:04:48,120 worked together with each other. And he now is just really taken 107 00:04:48,120 --> 00:04:52,770 off sells really great and it's like his first ticketed tour. 108 00:04:52,980 --> 00:04:55,350 I'm supporting it. We're like the Jewish rappers together. 109 00:04:55,380 --> 00:04:57,780 Yeah. Things we're doing it's just not everything I'm about 110 00:04:57,780 --> 00:05:01,080 but definitely a big part of my identity is Jewish so I made the 111 00:05:01,080 --> 00:05:05,490 Hanukkah song 2.0, Yeah. So this is sort of a culmination of the 112 00:05:05,490 --> 00:05:08,040 buzz of our song. And this perfect timing right it's all 113 00:05:08,040 --> 00:05:11,880 about timing. I think the most successful people have ever told 114 00:05:11,880 --> 00:05:16,200 me working with you is all about timing. Right? Everyone wants to 115 00:05:16,200 --> 00:05:19,590 do something with you just don't have enough time. Yeah. So 116 00:05:19,620 --> 00:05:23,280 tonight is the first night of the tour. We have been playing 117 00:05:23,280 --> 00:05:26,190 shows before that, but they're more private. But this is the 118 00:05:26,190 --> 00:05:31,560 first public show. SOB's tonight, eight o'clock. And get 119 00:05:31,560 --> 00:05:36,540 to do the Hanukkah song 2.0. Yeah, hi. 97 z 100 1075. It's, 120 00:05:36,900 --> 00:05:38,370 Sean Murray: You know, you got everyone listening to it. Not 121 00:05:38,370 --> 00:05:39,540 just Jewish people, everyone listening. 122 00:05:40,650 --> 00:05:43,350 Kosha Dillz: It's a catchy song. And listen, pop writers 123 00:05:43,350 --> 00:05:46,560 songwriters always wish to have songs on these stations. Yeah. 124 00:05:46,590 --> 00:05:50,550 So for me to have to write that hook. And to do that, it was 125 00:05:50,550 --> 00:05:53,910 like, made me feel really good. Because it doubled down on like, 126 00:05:53,910 --> 00:05:57,240 I know, I'm good. You know, and sometimes you need public 127 00:05:57,240 --> 00:06:02,280 affirmation to know, to reassure you. Yeah. But if you don't get 128 00:06:02,280 --> 00:06:06,930 that, keep going. And that's the concept of we outside till we 129 00:06:06,930 --> 00:06:10,170 inside, right? We outside is a choice. Many people could go, 130 00:06:10,170 --> 00:06:13,710 you know, this is just, you know, to make sure. For me, it's 131 00:06:13,710 --> 00:06:16,680 like, I could get a job or this app, but I feel like I'd be 132 00:06:16,680 --> 00:06:19,560 selling myself shor. Yeah. So it's not worth it yet. 133 00:06:19,650 --> 00:06:20,880 Sean Murray: there. You know, there's a lot of people here who 134 00:06:20,880 --> 00:06:23,880 think that way, there's a lot of entrepreneurial people who, you 135 00:06:23,880 --> 00:06:25,860 know, who started working in finance, but just had like a 136 00:06:25,860 --> 00:06:28,470 work from home job. They wanted to just have unlimited 137 00:06:28,470 --> 00:06:32,700 potential, and just do things their own way and learn and 138 00:06:32,700 --> 00:06:35,640 stuff like that. And so, you know, you seem to be on the same 139 00:06:35,640 --> 00:06:36,270 wavelength. 140 00:06:36,510 --> 00:06:38,310 Kosha Dillz: I think when you when you think like that, and 141 00:06:38,310 --> 00:06:39,990 that's okay. There's nothing wrong with that, because there's 142 00:06:39,990 --> 00:06:42,300 like a place for everybody in this army of life, right, 143 00:06:42,300 --> 00:06:46,440 everyone plays their position in this army. But for myself, I 144 00:06:46,440 --> 00:06:50,220 thought if there's more potential, you know, to do it 145 00:06:50,220 --> 00:06:55,560 this way, and then this is more structured, but the you could 146 00:06:55,560 --> 00:06:59,880 have exponential growth and be up here, but you're most likely 147 00:06:59,880 --> 00:07:02,400 guaranteed to be lower than a lot of your peers in the 148 00:07:02,400 --> 00:07:05,910 beginning. And there's no guarantee to when this beginning 149 00:07:05,910 --> 00:07:08,100 could end for me I've been rapping forever I should've I 150 00:07:08,100 --> 00:07:12,570 have many of my friends went from 70 people at a show to 7000 151 00:07:12,780 --> 00:07:17,250 me I seem to stay at 70 and now it's you know, growing and 152 00:07:17,250 --> 00:07:20,070 growing and growing. But everyone has their own journey 153 00:07:20,100 --> 00:07:23,880 just like yourself and people here watching so I'm happy to 154 00:07:23,880 --> 00:07:25,680 just share a little bit of mine with everyone. 155 00:07:25,890 --> 00:07:28,020 Sean Murray: Well Kosha thank you very much for being here 156 00:07:28,020 --> 00:07:31,710 live at Broker Fair really appreciate it and yeah, 157 00:07:31,860 --> 00:07:33,540 hopefully we'll hear from more from you soon. 158 00:07:33,660 --> 00:07:35,910 Kosha Dillz: I hope to travel with you guys take the show on 159 00:07:35,910 --> 00:07:36,690 the road guys.